The 20th edition of Traiettorie review, internationally
recognized as one of the main Italian initiatives in contemporary
music, will be realized with no contribution from the Ministry
for Arts and Culture.
According to the official communication the Ministry sent us
on 17/09/2010 (Application
for grant 2010), the Music Commission gave the following reason:
"Regarding this application for grant, notice is hereby
given that, in the session of the 7th and 8th July 2010, the Music
Commission, having examined the project as a whole, has judged
that it didn't meet the quality standards required by the article
5 of the Ministerial Decree of the 9th November 2007."
The members of the Music Committee appointed by the Minister
- Michele Gasbarro, Antonino Marcellino, Antonio Frigè,
Valerio Toniolo, Gioacchino Lanza Tomasi, Piero Rattalino, Stefano
Giavazzi and Filippo Bianchi - deemed this initiative as unsuitable
and therefore excluded it from the list of recipients of the contribution
for 2010
Among the 348 state-funded institutions, for a total amount of
€ 54.694.690, the main contributions given to organizations
working in the field of contemporary music have been assigned
to Associazione Nuova Consonanza (€ 84.000), Associazione
Divertimento Ensemble (€ 10.000), Milano Musica (€ 40.000),
Antidogma Musica (€ 10.000) and Fondazione La Biennale di
Venezia (€ 551.690)..
Less than 1,3% of the total amount has been destined to contemporary
music.
The Ministerial Decree of 9-11-2007, regulating the assignment
of contributions, orders to "favour the artistic quality
and the constant renewal of the national musical offer, promoting
innovation in planning, also through the employment of new technologies
and upholding the various musical languages that belong to different
settings and cultures, with special attention to the contemporary";
to "promote quality, innovation, research, experimentation
of new techniques and new styles in musical production, also favouring
generational turnover"; and to "facilitate the
commission of new works and the increase in value of contemporary
Italian and European repertoire". This considered, it
is clear that the objectives of the decree have been utterly disregarded.
The vast majority of the initiatives that the Musical Committee
has chosen to patronize - unrelated to whatsoever contemporary
language, often selected without any objective, meritocratic evaluation,
or void of any European-level planning - are the tangible reflection
of the inadequacy and lack of compliance of the Committee itself
with the Ministerial guidelines.
The Traiettorie review, which has always been pursuing
high-profile and European-level cultural objectives with consistency
and intellectual rigour, will not receive a right and proper contribution
from the State. This ostracism takes on an even more serious meaning,
considering that the review celebrates in 2010 its 20th anniversary:
an outstanding recurrence in contemporary music that shouldn't
have been neglected in a competent and objective evaluation.
The choice of the Music Committee proves that, outside of any
propaganda and letters of intent, there is no political will to
finance and support contemporary music, innovation and research.
This is also due to the work of the Committee itself, which bears
the responsibility to have widened the chasm between Italy and
the rest of Europe.
The list provided hereunder shows the initiatives funded in 2010.
By browsing through it, anyone will get a precise idea about the
work of the Music Committee of the Directorate-General for the
Performing Arts of the Ministry for Arts and Culture.